SKU: 43023076062
resonator effect pedal

resonator effect pedal EarthQuaker Devices Time Shadows V2 Subharmonic Multi-Delay Resonator – Chicago Music Exchange

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Description

resonator effect pedal EarthQuaker Devices Time Shadows V2 Subharmonic Multi-Delay Resonator – Chicago Music ExchangeThis item is in excellent working condition and barely used. The latest EarthQuaker Device actually is the same as the latest Death By Audio device. This new pedal is a joint collaboration that brings their sonic soundscape trips to your melted mind. With the switch to the left Time Shadow's controls are completely the brainchild of EarthQuaker Devices resident genius Jamie Stillman. Flip the switch to the right, and you enter the head of the madman

This item is in excellent working condition and barely used.

The latest EarthQuaker Device actually is the same as the latest Death By Audio device. This new pedal is a joint collaboration that brings their sonic soundscape trips to your melted mind.

With the switch to the left Time Shadow's controls are completely the brainchild of EarthQuaker Devices resident genius Jamie Stillman. Flip the switch to the right, and you enter the head of the madman Oliver Ackermann from Death By Audio barely clutching to reality. Place the switch in the middle and enter a whole new realm of pitch warping delays brought to you by a telepathic mind-meld with a 5th dimensional dream being.

All three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music. The EarthQuaker Devices side transforms whatever you play into the sound of a jazz space bazooka! It's a pitch morphed fuzz delay filter with so much attitude that you are actually intimidated. It takes the input signal, blows it out with power of digital distortion, blends it with a polyphonic sub octave, feeds it into a delay, then spits it out into a highly resonant envelope controlled lowpass filter. The Death By Audio side is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats. The middle position is an energy beam that brings your earthly transmissions repetitively closer to the heavens while simultaneously diving deep into the hells.

In addition to all this madness we also bring you a user assignable expression jack and 6 preset slots to save and recall your favorite settings!

With these three unearthly delights, you should have everything you need to break brains and destroy monotony!

Each Time Shadows was lovingly built by druids with very soft hands in the tiny hobbit hole of Akron, Ohio.

Controls

  • All three modes share the same simple controls: Time, Span and Filter.
  • While they control the same parameters, you’ll get wildly different results in each mode.
  • Time: Controls the Delay Time.
  • Span: Controls the intensity of repletion.
  • Filter: Arguably the most fun control on Time Shadows! On the EQD side this controls an envelope for the filter frequency and a gate for the cutoff to the input of the delay. On the DBA side this controls the filter Frequency as well as the shift point of a precisely phased delay line for pole zero interpolation. In the magic middle position, this controls the mix.

Pro Tips
Since there is an envelope component to this effect, the input level will play a role in frequency response.

  • Some of the most fun to be had is with short delay Time and high Span settings while manipulating the Filter control.

Global Features
Time Shadows has two operating modes which are indicated by the color of the Save/Recall switch.

  • Green= Live Mode. 
    The pedal will operate exactly where the controls are set, and any changes will have no effect on the presets unless saved. The Save/Recall switch will stay static green.
  • Red= Preset Mode. 
    Time Shadows will operate in a stored preset mode which is selected by the preset switch and the physical settings of the control will be ignored. The Save/Recall switch will stay static red.
  • Time Shadows comes factory set to start up in Live Mode. 

Please Note: The item displayed in the images may not be the actual item you receive.
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SKU: 43023076062

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4.4 ★★★★★
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J
Verified Purchase
Jon Parshall
Dallas, US
★★★★★ 5
Groundbreaking Work!
Format: Hardcover
The first thing to note here is the author is trilingual. He's Polish by birth, writing very credibly in his second language (English), and using his Nihongo to translate Japanese source materials into English for the first time. Wow! As a historian myself, I only wish I had those kind of language skills. The second thing I'll say is that I learned a lot from the book. I've never seen many of the details the author had dug up. He's doing the same sort of thing that Tony Tully and I did in Shattered Sword--using the Japanese air group records, and Senshi Sosho, as well as more modern sources from Japanese historians like Mori Shiro--to paint a much richer picture of the Japanese side of the battle. And in some ways he's doing it better, because his language skills are so formidable that he was able to look at more Japanese source material than we were. Bravo Zulu. An example: for years American historians have portrayed the placement of Shoho in front of the Japanese invasion force as either 1) a bait force to lure the Americans away from Japan's main carrier force, or 2) at the very least an indication of extreme Japanese hubris, by sticking a lone light carrier's neck out waaaay too far. It turns out that there were a number of Japanese staff officers that were appalled at the dangers Shoho was being exposed to, and lobbied for her inclusion in the main carrier force instead (which would have made a lot more sense, frankly, and was a detail I hadn't known before.) But those officers were overridden in the name of keeping at least some air cover near the invasion force. What this demonstrates is that even here, at the very beginning of the war, the Japanese were already over their skis in terms of the fragility of their air power. All in all, Piegzik's book is a very welcome contribution to the English literature on the Pacific War. He has also written what is (from all accounts) a fine series on the Indian Ocean raid that I need to pick up as well. I am really looking forward to his continued publications in the field.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 25, 2026
C
Verified Purchase
Chorzepa
Waukegan, US
★★★★★ 5
An excellent book
Format: Hardcover
An excellent book, based on Japanese documents—offering, for the first time, such a detailed account of the first aircraft carrier battle, presented from the Japanese perspective. It covers every Japanese aircraft involved, as well as the fates of their naval aircrews. A must-read for anyone interested in World War II in the Pacific.
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Reviewed in the United States on May 8, 2026
J
Verified Purchase
james
San Leandro, US
★★★★★ 5
Excellent book.
Format: Audiobook
History of WWII. Great research.
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Reviewed in the United States on May 21, 2026
L
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LynneC
West Palm Beach, US
★★★★★ 4
Good Book, not Parshall though
Format: Kindle
The author uses more Japanese terms than any similar book that I've read but uses western naming conventions for Japanese people. I don't quite know what to think. Good diagrams.
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Reviewed in the United States on December 12, 2025
R
Verified Purchase
Robert K. B
Port Orchard, US
★★★★★ 5
Japanese mindset Coral Sea
Format: Kindle
This book gave me fresh insights to the Battle of the Coral Sea. I feel like I have an idea as to what was going through the Japanese minds. Well written. He make it easy to follow each step of the battle.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 19, 2026

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