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Description
boss tape echo pedal Boss RE-202 Space Echo Delay/Reverb Pedal – Chicago Music ExchangeCondition Note: Minor cosmetic blemishes, velcro applied to bottom. Introduced in 1974, the Roland RE 201 Space Echo stands among the most legendary and sought after effect units ever produced. This tape based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on. Backed by intensive
Condition Note: Minor cosmetic blemishes, velcro applied to bottom.
Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.
Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.
Backed by intensive R&D and our latest innovations, the RE-202 faithfully delivers the authentic sound and behavior of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201’s magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colorful preamp circuit. And to take things even further, we’ve expanded the vintage Space Echo experience with lots of new features tuned for today’s music.
Tape Echo Magic
Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today’s CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colors the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that’s subtle and continually evolving.
Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today’s CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colors the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that’s subtle and continually evolving.
RE-201 Space Echo: Simply Legendary
The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analog preamp circuitry was another key ingredient in the Space Echo’s rich sonic recipe.
The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analog preamp circuitry was another key ingredient in the Space Echo’s rich sonic recipe.
A Masterpiece Reborn
Realized through the latest technologies and exhaustive analysis of several vintage RE-201s—including a pristine original unit from the BOSS and Roland factory archive—the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.
Realized through the latest technologies and exhaustive analysis of several vintage RE-201s—including a pristine original unit from the BOSS and Roland factory archive—the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.
While previous BOSS designs captured the true sonic flavor and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, our engineers have fully reproduced all the complex, non-linear behaviors that contribute to the RE-201’s immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.
Retro Sound at Your Fingertips
The RE-202 delivers the full vintage vibe of the RE-201—without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behavior is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.
The RE-202 delivers the full vintage vibe of the RE-201—without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behavior is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.
With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviors of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.
Sonic Enhancements
The RE-202 includes many new features that extend the Space Echo for today’s musicians. Twice the delay time is available, along with a fourth virtual tape head that unlocks five additional sound combinations. There’s also an echo type that changes the distance between the heads, something not possible with the original. In contrast with the mono RE-201, the RE-202 provides true stereo I/O and selectable operation for guitar or line-level devices. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing.
The RE-202 includes many new features that extend the Space Echo for today’s musicians. Twice the delay time is available, along with a fourth virtual tape head that unlocks five additional sound combinations. There’s also an echo type that changes the distance between the heads, something not possible with the original. In contrast with the mono RE-201, the RE-202 provides true stereo I/O and selectable operation for guitar or line-level devices. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing.
Also included is a stereo version of the original spring reverb sound from the RE-201, along with hall, plate, room, and ambience types for additional versatility. Expressive Warp and Twist effects are available as well, allowing you to launch the sound into outer space with the press of a footswitch while performing.
Modern Control
To complement its vintage heart and soul, the RE-202 has all the modern features you’d expect from an advanced delay pedal. There are four onboard memories for storing and recalling favorite sounds, and 123 more are accessible via MIDI program change. Tap tempo is also on hand, as well as selectable delay carryover when switching memories. It’s also possible to mute the dry signal for parallel effect setups and studio usage. Expanded control is available via external footswitches, an expression pedal, and MIDI, including real-time operation of multiple parameters at once.
To complement its vintage heart and soul, the RE-202 has all the modern features you’d expect from an advanced delay pedal. There are four onboard memories for storing and recalling favorite sounds, and 123 more are accessible via MIDI program change. Tap tempo is also on hand, as well as selectable delay carryover when switching memories. It’s also possible to mute the dry signal for parallel effect setups and studio usage. Expanded control is available via external footswitches, an expression pedal, and MIDI, including real-time operation of multiple parameters at once.
- Authentically recreates the sound and behavior of the legendary Roland RE-201 Space Echo
- Classic multi-head tape echo sound with expanded delay time
- Original three-head configuration plus additional tape head for 12 unique echo combinations
- Independent stereo reverb section with original spring reverb type plus hall, plate, room, and ambience
- Saturation control for adding magnetic tape compression and preamp coloration
- Wow & Flutter control for introducing varying levels of natural tape modulation
- Choose between new and aged tape conditions
- Selectable input modes for optimum performance with instruments and line-level gear
- Warp and Twist effects with footswitch control
- Select between the unprocessed analog dry signal or the modeled sound of the original Space Echo preamp
- Four onboard memories plus the current panel settings
- Save and select 127 memories via external MIDI program change
- Tap tempo and carryover functions
- True stereo input and output
- Expandable control via external footswitches, an expression pedal, or MIDI
Shipping Notes
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Exchange/Return Notes
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4.1 ★★★★★
Based on 30 reviews
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Product Reviews
★★★★★ 5
Hollypet Gray is excellent
Color: Gray, Size: 14 IN
This GrayHollpet comes down the assembly line that produces a good product. It is tough and stays together Don't buy the brown one, it started to fall apart in less than 30 days.
These can be a good product!
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Reviewed in the United States on February 3, 2026
★★★★★ 4
Super cute
Color: Gray, Size: 8 IN
Super cute in person. Didn’t last two weeks with our aggressive chewer but he sure had fun with it
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Reviewed in the United States on May 6, 2026
★★★★★ 5
We call him Armie! Dog loves it.
Color: Blue, Size: 14 IN
The dog loves it! Routinely carries it around squeaking all the way. The squeak is more like a quack and makes everyone giggle. It’s nice and big so a good match for our tall dog. Probably too big though for smaller dogs. Holding up well so far and that’s no mean feat given our pup’s destruction skills.
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Reviewed in the United States on February 28, 2026
★★★★★ 5
The chewability of this toy from 1-10 is a 10 all day 👍🏻
Color: Gray, Size: 8 IN
I have a Boston Terrier and he’s a serious extreme CHEWER! He loves this Hollypet Plush Dog Squeaky Toy Stuffed Armadillo! My doh gnaws on the tail, legs, the ears and the nose and all are still in tact. He’s had it for what I consider a long time. Usually he rips toys apart in the first day but this has been months! I throw this in the washing machine with his other stuffed animal toys simply because the ears, noses and tail get so stiff from chewing on them they need to be washed and they bounce right back just like new. Chewability from 1-10 is a 10 all day long! He plays with it a for a long while each time he uses it. Very active with his Armadillo and it’s so cute and the squeaker is just right, it’s not that loud screaming squeak. If he ever lost this or it got destroyed somehow? I’d buy him this all over again. Worth the money!
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Reviewed in the United States on March 5, 2026
★★★★★ 4
Fun dog toy, but not for heavy chewers
Color: Pink, Size: 14 IN
The armadillo is cute. My pittie, Sasha, was very excited to see it. She just had TPLO surgery on her left knee (she tore her ACL just before the 4th of July), and I wanted to get her something she could play with while she convalesces, that isn't a ball—she really likes to run and jump and chase the ball, but with her knee out of commission, I didn't want her to get depressed being trapped in her crate while she heals—with this toy, she was able to keep playing and not over excert herself and get more hurt. It quickly became her favorite toy; she chews it relentlessly and gets made when I take it from her (see below).
It makes a funky squeak that's not a high-pitched squeak, like I thought it would be; it's more a low-pitched, lowing sound like a baby calf. One thing I would like to point out to other purchasers about what the description says:
"Durable and Long Lasting - Made from premium soft materials, our cute plush dog toys can withstand rough play for indoor or outdoor and last for years to come. The textured surface also helps massage and soothe your dog's gums during playtime"
This is a little misleading. It's a good texture and Sasha loved to play with it, but it wasn't very durable. It might be when compared to other chew toys, but not for my baby. She tore the nose off within 20 minutes of getting it. The next morning, she ripped off an ear, and I had to pull the stuffing out of the face so she wouldn't eat it while chewing away. She doesn't seem to mind, but I sure wish it had held up a little more.
All-in-all, this was a good toy for a few days.
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Reviewed in the United States on July 29, 2025