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Description
nuna collapsible stroller Nuna TRVL Stroller + Carry Bag – Baby GrandOut around town, on a whirlwind weekend trip, or exploring faraway places an extra hand is always helpful for any parent. At the touch of a button on the push bar, the Nuna TRVL stroller self folds into a super compact, free standing package giving you the convenience and mobility you need to discover the world in style. The Nuna TRVL stroller is ultra lightweight at just 13. 6 lbs.* so its easy to carry with the arm bar when folded or go hands free
Out around town, on a whirlwind weekend trip, or exploring faraway places - an extra hand is always helpful for any parent. At the touch of a button on the push bar, the Nuna TRVL stroller self-folds into a super-compact, free-standing package - giving you the convenience and mobility you need to discover the world in style.
The Nuna TRVL stroller is ultra-lightweight at just 13.6 lbs.* so it’s easy to carry with the arm bar when folded or go hands-free and store away during travel with the carry bag that’s included. It pairs perfectly with all PIPA™ series car seats, creating a sleek-looking travel system with just a click – no adapters needed. City living or jet-setting parents will love the luxe materials and innovative conveniences of this compact and lightweight travel stroller for miles to go.
The Nuna TRVL stroller can be used for infants and toddlers weighing up to 50 lbs. in either the travel system mode or stroller mode.
*without canopy or arm bar
Use
- In it for the long haul providing smooth strolls from birth to 50 lbs
- Near flat recline and calf support that raises to convert seat to a carriage position for keeping baby extra cozy
- Creates a sleek-looking travel system connecting directly with Nuna PIPA™ series car seats with just a click–no adapters needed
- Folds easily with one hand and stands on its own when folded
- Ultra-lightweight and easy to tote with carry strap or armbar when folded
- 1-handed steering and exceptional maneuverability make it a dream to push and turn
- Front swivel wheels with swivel locks for more comfortable strolls on uneven terrain
- Quick-release wheels make for an even more compact fold
Safety
- Simple 1-touch rear-wheel braking system
- 3 to 5-point no-rethread harness makes it easy to fasten them in
Comfort
- Shadow reel recline™ provides 1-handed, customizable recline adjustments with more upright options
- MagneTech secure snap™ is a self-guiding magnetic buckle that automatically locks into place
- Water-repellent UPF 50+ canopy is easy to clean and provides premium coverage and multiple windows
- Canopy extends and features airy mesh panels to provide extra comfort for sunny days and warm temps
- Progressive front and rear-wheel suspension technology provides a smooth ride
- Removable and rotating armbar fits kids of all sizes
- 2-position adjustable calf support for growing legs
Premium Details
- Go hands-free and store away during travel with the included carry bag
- Luxe leatherette accented pushbar and armbar lend style to your strolls
- Never-flat airless tires are ready to go for miles
- Easy access shopping basket holds everything you need for the journey
What's in the box
- TRVL stroller
- carry bag
Specifications
- Dimensions (open): 44"H x 32.5"L x 20.25"W
- Dimensions (folded): 11"H x 24"L (without arm bar) x 20.25"W
- Weight: 13.6 lbs. (without canopy & arm bar)
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- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
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4.8 ★★★★★
Based on 16 reviews
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Product Reviews
★★★★★ 5
Five Stars
Format: Paperback
excellent sevice
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 23, 2015
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers.
There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful.
Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed.
Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core.
Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism.
Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male.
In the essay "The Category of Sex" Wittig writes:
"The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences."
I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004
★★★★★ 3
Partly still thought-provoking, partly dated
Format: Paperback
Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 4, 2013
★★★★★ 5
You will laugh and cry
Format: Kindle
Luckily, I stumbled into a link to this book on Transfeminine Review. One warning: take your eye makeup off before reading. You will laugh till you cry and that is not a good look with mascara.
The plot resembles the movie American Fiction. Pearl is an aspiring trans woman writer. Her first novel has sunk without a trace so now she is going to try something more commercial: a gay male romance with James Bond action marketed to straight women who love that kind of thing. She's even adopting a pen name as Paul Sisters, s gay man.
For a time it works. She has a publisher, Muzzle And Escutcheon is selling well and "Paul" has a fan following. Still, it's getting harder and harder to maintain her fake identity and she's having to make ever more compromises with her own identity and relationships.
One other caution. Pearl does have to deal with casual transphobia. One sequence of her doing an online chat as Paul with transphobic fans and trying not to let it get to her I foundto be particularly triggering
Good, funny, recommended
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Reviewed in the United States on April 19, 2025
★★★★★ 5
Brilliantly written
Format: Kindle
I read this in a single sitting, mesmerized. I cared about the protagonist even as she made increasingly bad and soul damaging decisions. I love love love her girlfriend and her roommate is also fun. One could argue that the humorous elements convey the dangers of being a trans woman in both publishing and life especially well. I also enjoyed the publishing scene aspects like in Yellowface. A great read. I’m now a fan!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 6, 2025
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