SKU: 72405388946
indoor pot for large plant

indoor pot for large plant NMN Designs Knox Stainless Steel Pot Planter; Medium

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Description

indoor pot for large plant NMN Designs Knox Stainless Steel Pot Planter; MediumKnox Cylinder Planter w Base Organic Modern Architectural Grade Indoor Round Stainless Steel Metal Plant Pot, Raised with Hardwood Base, For Indoor Plants. Fiberglass Lining. 12" or 18" Round Pot. Elevate your space with a touch of modern and contemporary elegance. Available in Two Colors: White and Brushed Stainless Steel Finishes Ultra Heavy Duty 18 8 Gauge Stainless Steel Rolled steel edges for a touch of elegance and upscale finish. Beautiful Wood

Knox Cylinder Planter w/ Base - Organic Modern / Architectural Grade Indoor Round Stainless Steel Metal Plant Pot, Raised with Hardwood Base, For Indoor Plants. Fiberglass Lining. 12" or 18" Round Pot.

Elevate your space with a touch of modern and contemporary elegance.

  • Available in Two Colors: White and Brushed Stainless Steel Finishes
  • Ultra Heavy-Duty 18/8 Gauge Stainless Steel
  • Rolled steel edges for a touch of elegance and upscale finish.
  • Beautiful Wood Base with Walnut Finish (made in the U.S.A.)
  • Durable Waterproof Fiberglass Lining. Sturdy Base.
  • Great for Indoor Plants. 
  • UV Resistant. 
  • Contemporary Round Planter Pot Styling. Modern and Architectural.
  • For All Types of Plants and Small Trees
  • For Home and Commercial Settings (Commercial Grade)
  • Can be Drilled for Drainage Holes
  • Small Pot - 15.5" Tall x 12” Diameter 
  • Medium Pot - 22.5” Tall x 18" Diameter
  • Made in India (pot) U.S.A. (base) by NMN Designs

Introducing the Knox Cylinder Planter, a Stylish Modern Round Stainless Steel Planter – the ultimate addition to elevate your indoor space with a touch of contemporary elegance. Expertly crafted from high-quality, rust-resistant stainless steel, this planter is both durable and stylish, providing the perfect home for your favorite plants, greenery, and even small trees.

The hardwood base enhances the appeal of the planter. This robust and stylish base adds an extra layer of sophistication by juxtaposing the sleekness of stainless steel with the warmth and natural texture of hardwood. Specifically designed for indoor use, the finely finished base brings an added touch of elegance and charm to your interior space, ensuring your planter remains a statement piece for years to come.

Choose from two stunning finishes, brushed stainless steel or a crisp, clean white allowing you to seamlessly blend it into your existing decor.

Exceptional Durability and Quality

  • Material Grade: Made with 304 (18/8) stainless steel, which contains high nickel content to prevent pitting and rust, unlike lower-grade 201 steel.

  • Structural Integrity: Features 18-gauge wall thickness, providing commercial-strength resistance against denting, warping, or bowing under heavy soil loads.

  • Safety Profile: A non-leaching, non-reactive material safe for organic vegetables and herbs.

Two Sizes. Small 12" Round, or Medium 18" Round

Available in two versatile sizes, from a compact 12-inch round (15.5" tall) or a medium 18-inch round (22.5" tall), these sleek stainless steel metal planters cater to the needs of any space, in fine homes or commercial settings. These sizes allow you to accommodate a variety of plants, allowing you to mix and match for the perfect arrangement.

Indoor Planter Pot - Without Drainage

The stainless steel metal planters with wood base are suitable for indoor use, offering you the flexibility to enhance your living room or office with a touch of modern charm. The sleek and polished design of the planter effortlessly complements any decor style.

To accommodate your specific drainage preferences, these planters can be drilled for drainage holes, allowing for optimal plant health and longevity. Alternatively, you can opt for the popular pot-within-a-pot technique, giving you the convenience of easily swapping out plants and reducing the need for repotting.

Available in 2 cylinder sizes to fit plants from small plants and greenery to tall and large plants.

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    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
    1. Standard Shipping : 3-10 business days
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    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
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    SKU: 72405388946

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    4.4 ★★★★★
    Based on 26 reviews
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    Amazon Customer
    Pawtucket, US
    ★★★★★ 5
    Excellent
    It's an excellent textbook from the Barron's series of which I have this author's other books. I love the set up. I'm constantly trying to improve my Spanish in different categories....these books are amazing.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 3, 2024
    K
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    Kyle Henderson
    Cuba, US
    ★★★★★ 5
    A must-read for anyone interested in communication studies, rhetoric, American public debates
    Format: Paperback
    In this seminal book, Fisher expounds his "narrative paradigm," a sweeping theory of human communication and more. Professor Emeritus at USC's Annenberg School of Communication, Fisher's discipline was rhetoric. But the book's subtitle -- "Toward a Philosophy of Reason, Value, and Action" -- isn't a stretch. Fisher's theory is a grand project extending its purview way beyond the communication department's door. At root is Fisher's rejection of what he calls the "rational world paradigm," which falsely separates logos from mythos, reason from imagination, fact from value. Doesn't work that way, Fisher says. No such thing as a value-free belief, assertion, or action. Instead, we evaluate according to a "logic of good reasons" -- reasons we value as good -- rooted in the narratives of our experience. An under-appreciated aspect of Fisher's work is the application of his theory to American politics. America's most enduring narrative is The American Dream. But that dream comprises two sub-narrative strands: the "materialistic myth" and the "moralistic myth." These two strands broadly represent conservative and progressive impulses respectively, but those threadbare categories don't do Fisher's explication justice. The two myths find their roots in the narratives of the earliest Americans, and have been battling it out ever since. It's a credible understanding of the history of American public moral debates.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on April 28, 2010
    M
    Verified Purchase
    Michael Kleeberg
    San Leandro, US
    ★★★★★ 4
    Insider's Book
    Format: Paperback
    Wlater R. Fisher is an expert in his field. His grasp of classical theory is daunting. Human Communication as Narrative explains his new theory well. However, it IS an insider's book, intended for scholars. I have a master's degree in rhetoric and composition, and my progress through it was slow--however, this was more attributable to my having stopped at an MA than it was to Fisher. I found his theory exhaustively researched, skillfully and thoughfully developed, and eminently applicable to the practice of contemporary rhetorical study. I would regard this book as a must-have for any serious student of rhetoric.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on April 22, 2011
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    PWL
    Boise, US
    ★★★★★ 5
    Not only will this give you a great overview/introduction, but Fisher is a good writer as ...
    Format: Paperback
    I'm a fan of the Narrative Paradigm, and this is the seminal work on that. Not only will this give you a great overview/introduction, but Fisher is a good writer as well. Very clear, succinct, and engaging.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 1, 2016
    H
    Verified Purchase
    Hugh of Skokie
    Fort Morgan, US
    ★★★★★ 5
    The Dark Roots of Liberalism
    Format: Hardcover
    Italian philosopher/intellectual history Domenico Losurdo's study of the origins of liberalism is a tour de force of thorough scholarship and rigorous critique. Losurdo seems to have read all of the collected works of all of the significant thinkers in the liberal tradition, from Locke to de Tocqueville and beyond, and has created a coherent and compelling narrative of their themes and variations, as well as their rhetorical tropes and myriad contradictions. Classical liberalism, as here presented, is an attempt to translate the world, in all its richness and mystery, into property, and to transform property into the fullest expression of both nature and nature's God. It involves fetishizing "liberty" and disdaining equality, which is seen -- correctly -- as potentially compromising the God-given prerogatives of property holders. Losurdo's liberals divide the world into the "community of the free" -- always a minority -- and the servile majority. These masses do not deserve liberty or political participation because they perceive government as a way to address human suffering, and not simply as a bulwark protecting the divine rights of capital, i.e. the "private" realm. The classical liberal sees government as good to the extent that it has no social function at all -- because poverty and radical inequity are understood not as the outcome of human social and political arrangements, but as a reflection of immutable natural law and simple human frailty. Social Darwinist and eugenic motifs float through the Liberal symphony almost from the beginning, supplanting without really changing the earlier Protestant notion of predestination, but shifting the location of eternal reward or damnation to the marketplace and workplace. Thus liberalism sides against social emancipation, whether of slaves or peasants or factory laborers. The job of workers within a liberal commonwealth, as depicted by most of these thinkers, is to embrace their freedom to starve and cherish the institutions that oppress them in the sweet and holy name of Liberty. Slavery makes many of these thinkers uneasy, but it is not as profoundly disturbing to them as the prospect of central government tampering with the sacred rights of property holders by abolishing an institution that makes a mockery of any concept of human liberty. It is the radical thinkers of the French Revolution, and those influenced by them, who come out favorably here -- the ones who believe that the community must be seen as one body, and that freedom and dignity belong to all, without exception. Losurdo reminds us that it was not classical liberals who abolished slavery -- it was the Black Jacobins who brought the Rights of Man to the subjugated Africans of Haiti in history's only successful slave rebellion (at least since Moses). They were supported by the religiously inspired abolitionists, who saw slavery in moral rather than capitalist terms. Losurdo shows that liberalism took on the despotism of Church and Crown, only to create a harsher and colder absolutism of Money and Market, wrapped up in the rhetoric of Reason and tied with the ribbon of Freedom. And though classical liberalism has mutated over time and allowed the community of the free to expand somewhat, its fundamental biases remain in place, as witnessed in every ding-dong attack against "big government" or the "nanny state." Losurdo's "counter-history" of liberalism places these tediously reflexive political gambits in historical context, showing that they are rooted in a vision of the state as a kind of gated community, serving those within the threshold of privilege, suppressing those on the outside. At a time when political discourse centers on the percentages of the included and excluded, the worthy and the unworthy -- Occupy Wall Street's 1 percent and 99 percent, Mitt Romney's 47 percent (which was also his percentage of the vote) -- Losurdo's study is highly relevant and enlightening. It underscores the deep tensions between classical liberalism -- with its governance by and for the elite, and passive citizenship for the rest -- and the ideals of participatory and inclusive democracy, i.e., social democracy. It is an important book, and I recommend it to everyone with an interest in the history of political theory, and a desire to understand why our own political processes seem to take place in an abstract realm so cosmically distant from the reality of everyday life.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on November 24, 2012

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