SKU: 78257447993
is prayer plant toxic to pets

is prayer plant toxic to pets Red Prayer Plant

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Description

is prayer plant toxic to pets Red Prayer PlantBotanical Name: Maranta leuconeura var. erythroneura Common Names: Red Prayer Plant Red Veined Prayer Plant Herringbone Plant Red Maranta The Maranta leuconeura 'Red Prayer' mesmerizes with its extraordinary vibrant green leaves featuring stunning red veins and crimson patterns that create breathtaking natural artwork while performing the magical ritual of folding upward each evening like hands in prayer. This remarkable Brazilian native showcases

Botanical Name: Maranta leuconeura var. erythroneura

Common Names: Red Prayer Plant • Red-Veined Prayer Plant • Herringbone Plant • Red Maranta

The Maranta leuconeura 'Red Prayer' mesmerizes with its extraordinary vibrant green leaves featuring stunning red veins and crimson patterns that create breathtaking natural artwork while performing the magical ritual of folding upward each evening like hands in prayer. This remarkable Brazilian native showcases oval leaves with intricate herringbone patterns of red veining against rich green backgrounds, while the distinctive red central stripe and crimson spots add dramatic color interest, bringing year-round tropical elegance and fascinating movement to any indoor space.

This captivating red-veined beauty combines breathtaking crimson artistry with remarkable interactive movement, making it perfect for plant enthusiasts, pattern lovers, or anyone seeking a truly unique plant that provides daily entertainment through its prayer-like leaf movements. Enjoy year-round red and green elegance with stunning herringbone patterns while witnessing its enchanting nightly ritual - all with complete confidence around your beloved pets and family members.

Complete Care Guide

Light Requirements ▼
  • Bright, indirect light enhances the vibrant red veining patterns
  • East or north-facing windows provide ideal growing conditions
  • Avoid direct sunlight which can fade the beautiful red patterns
  • Filtered light showcases the crimson herringbone veining beautifully
  • Consistent lighting helps maintain prayer movement patterns
Watering Instructions ▼
  • Keep soil consistently moist but never waterlogged
  • Water when top inch of soil feels slightly dry
  • Use filtered, distilled, or rainwater when possible
  • Consistent moisture helps maintain vibrant red leaf patterns
  • Reduce watering frequency slightly in winter months
Humidity & Temperature ▼
  • High humidity: 50-70% for optimal red coloring and prayer movement
  • Temperature range: 65-80°F (18-27°C) with consistent warmth
  • Place on humidity trays or near humidifiers
  • Group with other tropical plants to increase local humidity
  • Avoid cold drafts and air conditioning vents
Potting & Fertilizing ▼
  • Use well-draining, peat-based potting mix that retains moisture
  • Ensure good drainage to prevent root rot
  • Feed monthly during growing season with diluted liquid fertilizer
  • Repot annually or when roots become crowded
  • Choose shallow, wide pots for the spreading root system
Red Pattern Care & Prayer Movement ▼
  • Red veining intensifies with proper light and humidity
  • Leaves naturally fold upward each evening in prayer-like position
  • Gently wipe leaves to showcase red herringbone patterns
  • Propagated by division of rhizomes or stem cuttings
  • Remove yellowing leaves to encourage new red-veined growth

Styling Ideas for Your Red Prayer Plant

Living Art Displays
Red-veined patterns create natural artwork focal points
Tropical Collections
Perfect centerpiece for humidity-loving plant groupings
Color Accent Gardens
Red veining adds vibrant color to green plant displays
Interactive Gardens
Prayer movement fascinates children and visitors

Shipping & Potting Information

Your plant ships in its current nursery pot and will need to be repotted into a decorative container of your choice. The beautiful ceramic pot shown in the product images is for styling inspiration only and is not included with your purchase. This allows you to select the perfect decorative pot that matches your home's unique style and décor.

Frequently Asked Questions

What makes the red veining so vibrant and distinctive? ▼

The Red Prayer Plant variety features naturally enhanced red veining and crimson patterns that create stunning herringbone designs on the leaves. This coloring intensifies with proper light and humidity, making each leaf look like a piece of natural stained glass artwork.

Do the leaves still perform the prayer movement with the red patterns? ▼

Yes! The red-veined leaves still fold upward each evening in the characteristic prayer plant movement. The red patterns actually make this daily ritual even more dramatic and beautiful as the colorful undersides become visible during the folding process.

How do I maintain the vibrant red coloring? ▼

Bright, indirect light and consistent humidity are key to maintaining the vibrant red veining. Good light enhances the crimson patterns while adequate humidity prevents the colors from fading. Avoid direct sunlight which can wash out the beautiful red coloring.

Is this plant safe around pets and children? ▼

Absolutely! Maranta leuconeura is completely non-toxic to cats, dogs, and humans, making it a perfect worry-free choice for families who want to enjoy its stunning red-veined foliage and fascinating prayer movements safely throughout their home.

Is this variety more difficult than regular Prayer Plants? ▼

The Red Prayer Plant has the same care requirements as other Maranta varieties! While it appreciates high humidity like all prayer plants, the red veining doesn't make it any more difficult to care for. With basic tropical plant care, you'll enjoy its stunning patterns and movements.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 78257447993

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4.3 ★★★★★
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M
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Mr. Watkins
Battle Creek, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Waukegan, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Cuba, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Lexington, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
Verified Purchase
johnf
New York, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016

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