Pay in installments of $7.39 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Nov 8 - Nov 13
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
maxi cosi pebble pro car seat Maxi-Cosi Pebble 360 Pro2 Car SeatPebble 360 Pro From the very first day, the Maxi Cosi Pebble 360 Pro prioritises your babys safety and comfort with its full lie flat position, providing maximum sleep comfort. Compatible with the FamilyFix 360 Pro, it combines SlideTech and 360 rotation for easy installation. Uncompromising safety, unmatched comfort, Pebble 360 Pro is there from the start. Safety From day one, the Maxi Cosi Pebble 360 Pro puts your baby's safety first. It meets the
Pebble 360 Pro²
Safety
From day one, the Maxi-Cosi Pebble 360 Pro² puts your baby's safety first. It meets the latest i-Size safety standards and G-CELL Side Impact Protection provides superior protection in the event of side impact collisions. The Pebble 360 Pro² is also TÜV certified for use on an airplane, so your baby can travel safely and securely with you on holiday, in their very own car seat, in all recline positions.
Ease of use
Pebble 360 Pro² is designed to make parents’ lives easier every day. The rotating FamilyFix 360 Pro slide-out base (sold separately) makes it easy to effortlessly rotate and slide your child towards you and put them in any recline position, while ISOFIX connectors and support leg provide the safest, easiest installation in your car. Pebble 360 Pro² can be safely belted into any car without the base, and once outside, it easily attaches to a stroller in one quick click. The easy-in harness stays open and out of the way to help you to fasten your baby in the seat with minimum fuss.
Age-range
The Pebble 360 Pro² isn't just suitable from birth; it also accommodates premature babies, ensuring safe travels from 40 cm up to 87 cm (approx. 18 months). Once your little one outgrows the Pebble 360 Pro², it's possible to switch to the Pearl 360 Pro, which is also compatible with FamilyFix 360 Pro base. Ensuring your toddler, up to 4 years old, continues to experience maximum comfort wherever you go together.
Comfort features
Comfort is at the heart of the Pebble 360 Pro²'s design. It offers a unique full lie-flat position, allowing your baby to experience maximum sleep comfort on every journey, whether in the car or attached to the stroller. ClimaFlow technology ensures your child is always at the comfortable temperature, thanks to ventilation panels, breathable foam, and open, mesh fabrics that enhance air circulation. Its headrest and backrest provide the ideal position for optimal breathing when you’re on the go.
Safety
- G-CELL Side Impact Protection: G-CELL Side Impact Protection provides your child with unrivalled safety, spreading the impact and reducing injuries in the event of a collision.
- i-Size safety: Meets the highest and latest i-Size safety standards (R129/03), offering maximum safety for your child.
- ISOFIX connectors: Integrated ISOFIX connectors ensure your car seat base is safely locked into your car.
Ease of use
- Innovative SlideTech® technology: Our revolutionary sliding car seat technology combines with one-hand 360° rotation to make every day easier for parents. Simply slide, spin and go!
- Easy-in harness: Pebble 360 Pro2 features an easy-in harness that stays open and out of the way, so you can effortlessly get your child in and out of the car.
- Anti-misuse button: Anti-misuse rotation lock gives peace of mind knowing your baby always travels in the rearward-facing position up to 18 months.
- Visual installation feedback: The FamilyFix 360 Pro base has visual indicators that guarantee you install Pebble 360 Pro2 correctly and safely, so you can travel with peace of mind.
- Back-friendly car seat: Certified by AGR, as back-friendly. Lifting your baby in and out of the car has never been this comfortable thanks to SlideTech® technology.
- Ergonomic carry handle: The ergonomic handle lets you carry your baby to and from your car with ease.
- FlexiSpin 360° rotation: Buckling up your baby is made easy and secure with FlexiSpin 360° rotation as they face you directly.
- Machine washable: Does your car seat cover need a bit of freshening up? Wipe it down with a damp cloth, or put it in the washing machine up to 30°C.
Comfort
- Full lie-flat position: Pebble 360 Pro2 reclines into a full lie-flat position in all modes for maximum sleep comfort – in the car or attached to a stroller.
- ClimaFlow for temperature control: Designed with ventilation panels, breathable foam, and comfortable mesh fabrics for enhanced air circulation, ensuring your child stays cosy.
- Extra-large sun canopy: The extra-large sun canopy with UPF 50+ can be adjusted easily and keeps your baby cool even in the blazing sun.
- Newborn inlay: Our newborn inlay keeps your little one comfortable while providing a proper fit and room to grow.
General
- Grows with your child: Designed to grow with your baby, offering lasting functionality from birth (40 cm), with the integrated newborn inlay, up to 18 months (87cm).
- Long-term use: As part of the 360 Pro Family, the Pebble 360 Pro2 can be used from birth up to 18 months. It’s compatible with the FamilyFix 360 Pro base.
- TUV aircraft approved: Pebble 360 Pro2 is TUV aircraft approved, which means it’s allowed to travel with your baby by airplane, in all recline positions.
- Complete 3-in-1 travel system: Transition from street to car with this complete 3-in-1 travel system, including a Maxi-Cosi stroller, carrycot, and Pebble 360 Pro2 baby car seat.
- Eco-friendly production: Eco Care fabrics are produced without the use of hazardous chemicals, meaning that babies' skin is not exposed to any potential risks.
- Sustainable Eco Care fabrics: Made with soft, 100% recycled fabric by re-using plastic bottles.
- Most premium design: Featuring elegant embroidery and detailing, as well as high-performance breathable mesh fabrics with ultra-resistant knitting.
- Organic cotton summer cover: Compatible with our premium, non-dyed summer covers. The breathable Organic Cotton fabric absorbs moisture quicker and provides extra cushioning.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.6 ★★★★★
Based on 18 reviews
Sort
Product Reviews
★★★★★ 3
DNF
Format: Kindle
I decided to read this based on another review here. I started skipping and couldn't finish it. The writing is good but the behavior of the MCs put me off at times. Our parents took us camping (not car camping) a lot through my teens and the lesson was, from my youngest age, if the excrement encounters the turbine, get your bearings, assess, make a plan, follow it -- no time for drama. There would always be time for a freakout once the situation was resolved. (And if it wasn't resolved, freaking out wouldn't be an option.)
Apparently, neither Helen nor Lana were ever taught that lesson because there's plenty of drama, and I lost respect for them. Worse, the drama continues with this endless back and forth right up to the very last page. I actually blinked. I've read rushed endings before, but this took the cake.
Overall, this is a portrayal of women that bugged me. It felt almost stereotype-y regarding being overly dramatic and unable to keep it together under stress. Maybe I just hit the bad parts, but I couldn't keep reading to find out, in case there were more, and the repeated drama after the rescue didn't give me hope.
Please, Sapphic authors, can we have more books celebrating feminine resilience? Cara Malone has a pretty good one about a bunch of shipwrecked queer women. We need more of that, and less of this.
I'm giving this book 3 stars because the writing is good and I didn't finish, so may have missed better parts.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 23, 2024
★★★★★ 5
If you can only afford one craft book on Dialogue, this one is it.
Format: Hardcover
The art of dialogue. How does a writer get it just right to be effective, yet original, dramatic but not too dramatic, captivating and satisfying, and most important of all convincing? The thrust of this book is how McKee spends time on characterizations and the art of the subtext—vital to thrilling and effective dialogue. McKee explains how subtext works, the thinking behind it, shows you its most effective moments, why it works well or poorly, and gives you the tools to make it work. The result: amazingly clear insight. No kidding, if you want to fully understand subtext in dialogue and sharpen your skills, this is the writing book to get.
Conflict in dialogue, turning points, even sentence designs techniques. McKee describes the “suspense sentence” and the “periodic sentence.” Because prose is a natural medium for storytelling, you will learn how Charles Dickens used ‘counter pointing exposition’ and its effectiveness for the reader. I hadn’t seen this kind of hook in writing before, hadn’t heard this term before. Very powerful technique; of course none of us writes like Dickens, but what an example on how to swoop the reader in.
What’s one of the takeaways in Dialogue by Robert McKee? “Quality storytelling inspires quality dialogue.” Which inspires a read of McKee’s other remarkable craft book “Story”—a great companion read as both books belong on any serious writer’s bookshelf.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2016
★★★★★ 5
It's All Right Here. All of it.
Format: Hardcover
I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 21, 2016
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful.
McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do.
However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies!
If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why.
McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism.
Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging.
With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else.
In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree.
But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019