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Description
alocasia elephant ears plant California Alocasia Shrub I Elephant EarsCalifornia Alocasia Shrub I Elephant Ears Giant Elephant Ear Alocasia is a spectacular tropical landscape plant with giant leaves the look like elephant ears. It is the fastest and largest growing alocasia on the market which makes it the perfect plant for any landscape. It can be grown indoors in a decorative container or outdoors as a background plant, pond border, statement plant, or in an outdoor container. Part Sun, 6 plus hours indirect sun
California Alocasia Shrub I Elephant Ears
Giant Elephant Ear Alocasia is a spectacular tropical landscape plant with giant leaves the look like elephant ears. It is the fastest and largest growing alocasia on the market which makes it the perfect plant for any landscape. It can be grown indoors in a decorative container or outdoors as a background plant, pond border, statement plant, or in an outdoor container.
- Part Sun, 6 plus hours indirect sun daily
- Hardiness zone: hardy in zones 7-9 annual for zones 6 and below
- Bloom time: late spring
- Soil type: does well in acidic, neutral and alkaline well-drained soils, mulch recommended
- Mature size: 5 ft. T x 6 ft. W
- Enhance Your Garden with Vines and Shrubs.
Grow Best:Landscaping House Plant Container
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Ideal position:Performs best in Sun Light Any light is fine. The more sun you give these plants, however, the more water they'll require. |
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Water:Once a week, or when top inch of soil is dry, they are not as thirsty as many other common houseplants, but will drop leaves if they stay too wet or too dry for extended periods |
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Growth Outlook:Mature size is 5' Tall and 4' Wide Growth Rate: Fast |
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Pet Friendly - NONO. Toxicity. Hosta Patriotplant is poisonous to dogs and cats when ingested. It contains toxins called saponins, which can result in symptoms such as vomiting, lack of appetite, and low mood. |
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Qualifies For Free Delivery |
Landscape uses
- Single yard specimen
- Large accent for the corner of the house, deck or patio
- Background for smaller plants
- Filling the center of a circular drive
- Add height and interest along a blank wall
- Around the trunk of a tree or palm
Plant spacing
Plant tubers about 4 to 6 feet apart. Come out from the house at least 3 feet and in from walks and drives 4 feet or more.Place these plants at least 4 feet - more if possible - from nearby small to medium sized plants. For planting near things that are or will be larger than this plant, allow about 3 or 4 feet.
Elephant ears will grow in a container for a while but does much better in the ground.
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4.5 ★★★★★
Based on 21 reviews
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Product Reviews
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY
By Lisa Cron
Reviewed by C J Singh (Berkeley, California)
Excellent Primer on Novel-Writing
In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/
Here's my review of Lisa Cron's "Wired For Story"
"WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft.
Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow.
"Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information.
Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23).
.
"Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own.
Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65)
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"Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious.
"Story Secret: There's no writing; there's only rewriting" (p 219).
Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow.
"Myth: Write What You Know.
"Reality: Write What You Know EMOTIONALLY" (p 62).
.
"Myth: Sensory Details Bring a Story to Life."
"Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118).
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"Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying.
"Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152).
Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene.
At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti."
An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 )
WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020