SKU: 97383881085
outdoor pot planter

outdoor pot planter Williamsburg Wren Large Garden Planter

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Description

outdoor pot planter Williamsburg Wren Large Garden PlanterPhysical color samples available. Please contact us for more information. Williamsburg Wren Large Garden Planter Specifications: Dimensions: 22"L x 22"W x 22"H Weight: 165 lbs. Shown in Aged Limestone (AL) Also available in Small size Sold Separately Shown in Aged Limestone (AL) Drawing inspiration from the oldest academic building still in continuous use in the United States, the Williamsburg Wren Garden Planter features a simple design that brims

Physical color samples available.  Please contact us for more information.

Williamsburg Wren Large Garden Planter Specifications:

  • Dimensions: 22"L x 22"W x 22"H
  • Weight: 165 lbs.
  • Shown in Aged Limestone (AL)
  • Also available in Small size - Sold Separately
  • Shown in Aged Limestone (AL)

Drawing inspiration from the oldest academic building still in continuous use in the United States, the Williamsburg Wren Garden Planter features a simple design that brims with a scholastic vibe. Made out of cast stone and finished by hand in the stain of your choice, this piece will serve as perfect anchors when placed at the entrance to your driveway or walkway to your home. With its minimal design, the Williamsburg Wren Garden Planter will complement the look and ambiance of your outdoors without overpowering its natural setting.

Due to the nature of concrete there is very little that can go wrong with it as long as it's properly cared for. For this reason Campania does not offer a warranty for their products. Our 15+ years of experience has shown that Campania's products are more than capable of withstanding the test of time. These products are designed to last well over 40 years, and will as long as proper care is provided for them.

Williamsburg Wren Large Garden Planter Features:

  • Makes a beautiful focal point for your garden setting, either filled with beautiful blooms or greens, or left empty as a wonderful accent piece
  • Manufactured with a high density cast stone mix
  • One drainage hole, centered, approximately 1/2" - 3/4"
  • Available in your choice of classic and distinct finishes
  • Finish/Stain is hand applied by trained artisans
  • Features unique designer detail and superior craftsmanship
  • Weathers naturally outdoors
  • Made in the USA

In the winter, if a planter is to remain planted, it should be raised up off the ground making sure not to block the drainage hole. This allows the planter to drain and will prevent the planter from freezing to the ground. If the planter is not to be planted, it should be brought inside a garage or shed. If this is not possible, follow the steps above, but turn the planter upside down to prevent it from filling with snow and ice. It should then be covered or wrapped with burlap or any absorbent material (old blanket/towel) and then wrapped with dark plastic to prevent it from accumulating moisture.

Campania proudly manufactures its cast stone products in the USA using locally sourced materials. All of our cast stone pieces are manufactured using the wet casting technique with a proprietary high density cast stone mix, yielding a PSI strength of approximately 7,500. The mix is comprised primarily of water, sand, stone aggregate and cement. Our cast stone products may qualify for LEED credits as applicable to your project. Cast stone produces a strong and durable product that will weather naturally in an outdoor environment. Simply stated, cast stone is chosen for its beauty and authenticity. Our material is natural, authentic, made in the USA, and 100% recyclable.

NOTE: All of our patinas are hand applied in a multi-step process which produces unique and beautiful surface finishes. Designed to replicate the look of naturally aged materials, the patinas will not prevent the natural aging process that occurs in an outdoor environment. Rather than creating uniform stains, our approach gives our products their unique beauty and appeal.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 97383881085

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4.3 ★★★★★
Based on 9 reviews
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R
Verified Purchase
Rocco Dormarunno
Chelsea, US
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence. Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons: --the shifting finger-pointing at various groups; --the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and --Horsmanden's bizarre behavior toward Mary Burton. Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability. Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006
R
Verified Purchase
Reckless Reader
Battle Creek, US
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park? One cannot make up this stuff, it is too real so it must be history at its best. And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known. If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
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Reviewed in the United States on January 22, 2010
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Verified Purchase
Michael Pointer
Carnegie, US
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
J
Verified Purchase
John Warren
Lowell, US
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge. I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down? I could go on and on, but just buy the book!
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Reviewed in the United States on May 20, 2008
K
Verified Purchase
Kim Burdick
Phoenix, US
★★★★★ 3
New York Burning
Format: Paperback
. This is an important book that explores in depth what is usually only found in textbooks as a one-sentence summation: "In 1741 there was a slave uprising in New York City." Scholars will probably be happier starting with the Appendix and bibliography and then reading the book. The text is disorganized and uneven, and although this is non-fiction, the characters could have been more finely drawn. Peter Zenger's trail keeps popping up in unexpected places, often disconnected from the action the author is working on. Some sections are heavy on primary documents and period writings, others are more poetic. Yes, I do understand the parallels with the Salem Witch Trials. The Salem Witch Trials get more press today because of Arthur Miller's "Crucible." Color and religion of the participants aside, both events are stories of group think and mass hysteria, fear and anger. There is plenty of room here for a first-class film or play to be written. Read this book, learn from it. Expect to complain about it. Kim Burdick Stanton, DE
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Reviewed in the United States on November 7, 2014

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