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Description
oscar de la renta gold dress Dreamy Pre-Fall 2015 Oscar de la Renta Look 36 Metallic Gold Applique – Shrimpton CoutureThe twin of this dress was the final look on the runway for the Pre Fall 2015 collection. It was made under the creative direction of Oscar de la Renta. Vogue noted in their review "Pre Fall 2015 was the last collection he (Oscar de la Renta) had a hand in designing. The house's new creative director, Peter Copping, advised the studio a bit on how to finish it after de la Renta's death in October but this wasn't his debut. Copping sat in the front row
- The twin of this dress was the final look on the runway for the Pre-Fall 2015 collection.
- It was made under the creative direction of Oscar de la Renta.
- Vogue noted in their review "Pre-Fall 2015 was the last collection he (Oscar de la Renta) had a hand in designing. The house's new creative director, Peter Copping, advised the studio a bit on how to finish it after de la Renta's death in October but this wasn't his debut. Copping sat in the front row taking it all in as a bystander." They continue the review saying, "How does one review a collection like this—one that operates not as a swan song, not as an homage, but as a coda to a great career, now definitively over? On its merits, of course. And though these clothes didn't serve to turn the fashion dial in any way, they manifested the soigné de la Renta signature in spades....It spoke loudest in the collection's clutch of cocktail frocks and gowns, particularly the champagne-toned finale gowns with allover gold or silver embellishment."
- This would make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration.
- The dress is made from a fine ivory net that is covered in beautiful curving gold metallic appliques that form flowers and pretty patterns over the entire surface of the dress.
- Each individual applique is made from a pale, muted silver-gold lame fabric sewn that is embroidered all the way around its edges. The lame has a slight vertical ribbing that combines the gold and silver thread and this adds a beautiful texture. I love how they catch the light in a subtle way from every angle. In person the dress has a more metallic and gold feel then how it photographed here.
- It sits wide across the front and the straps are set to the edge of the shoulder. The bodice curves up and over your shoulders and then at the back it falls in a V for a bit of bare skin to show. All of the edges follow the curving pattern of the applique and I love this little romantic touch.
- There is an inner lining inside the bodice that has a sweetheart neckline shape to it and then the netting has a touch of transparency above that. It skims over you from there, past the waist to the seam that sits at the top of the hip.
- From there the skirt explodes outwards in two tiers. Underneath each tier is a layer of tulle and then another layer of netting under that. The second layer has a stiffened edge to help hold the shape of the skirting. Inside the skirt there is a built-in underskirt that has multiple rows of that same stiffened fabric so it holds the volume that you see in the photos. I have added no extra crinolines underneath the dress to take these photos. All of the volume that you see is all built into the dress already.
- The dress is cut shorter at the front and then the back is cut so that it trails out behind you past the floor. The lightness of the tulle and netting allows the dress to billow out around you when you walk.
- This is dress that feels like a fairy tale come true once it is on the body.
- The skirt is fully lined in layers of tulle and netting as described above. The bodice has an inner layer of silk and netting. The dress closes with a hidden set back zipper. It appears to have never been worn or worn very little.
- Tagged a modern OLDR US2
- Excellent condition
Bust: to 16.5" flat across from side seam to side seam with room at the front for at least a B cup
Waist: 13" flat across from side seam to side seam
Seam at the top of the hips: 18" flat across from side seam to side seam
Natural hips: open
Bodice: 19" from top of the shoulder to the seam at the top of the hip
Total length: 49" from top of the shoulder to the front hem, 80" to the back
Modern Sizing Equivalent: XS-MED
Item# DD5216
Reference Photos: Pre-Fall 2015 Oscar de la Renta, Look 36.
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4.1 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans'
, and then read Waterfield's translation of the Timaeus
.
Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with.
The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
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Reviewed in the United States on December 12, 2015
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield:
http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16
A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014
★★★★★ 5
Plato's view of the creation of the world
Format: Paperback
A cosmology is a narrative concerning the creation of the universe. Many ancient philosophers have written or elaborated this kind of work. The Platonic dialogue Timeus is an account of the work of the creator god (called the demiurge - or artisan) sculpting the chaotic material world in accordance with the immaterial model of the Ideas. But the text was written in a very hermetic and symbolic language, making its interpretation difficult or even impossible without the knowledge of the references and symbols used by Plato. This book is a complete translation of the text followed by a comprehensive commentary explaining in detail every passage. Francis MacDonald Cornford is one of the most important ancient philosophy scholars, and this work reveals his deep knowledge of Platonic and Greek thought. It is a must have for anyone interested in greek and Platonic philosophy.
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Reviewed in the United States on February 13, 2008
★★★★★ 5
Joy restored!
Format: Paperback
Now, to be honest, I've been a John & Stasi Eldredge reader for a long time. I love their books and their writing styles. But more than their skills with language is their transparency and candor. If you get the chance to meet them, you'll see that who they are in person is just how they portray themselves in their books. They're honest. They're kind--both with themselves and with others and they're consistently dedicated to telling the truth--no hype. No bait and switch.
Now, to Defiant Joy. This is a book for those who have lost joy. This is a book for those who have been blinded to the subtle creep of disappointment and cynicism that has tragically become the filter through which they see life. Let's be honest. Life can really suck sometimes. And it's both understandable and inevitable that joy is harder and harder to find...much less experience. Stasi has lived enough life to understand that condition. She shares her own struggles and disappointments--all of which give her credibility when she invites her readers to consider seeking joy in the midst of less than joyful circumstances.
"Defiant Joy" is a fitting title for those who don't want to give up yet; who don't want to give in to resignation. And that's the invitation Stasi gently offers--there is another option beside resignation, cynicism, depression and disillusionment. Joy! Who would have thought?
Stasi writes like she talks. Reading her work is like sitting down with a good friend for an honest and frank conversation about what really matters. She's the kind of friend we all long to have--one who tells us what we need to hear instead of what we want to hear; one who tells us the truth, even when we've lost hope of ever finding it. You won't find any relativism or warm-fuzzy self-talk. This is not a self-help book. Stasi has suffered too much to offer simplistic answers to some of the most difficult questions.
I highly recommend this book. It's on my suggested reading list for the community I lead. Stasi is one battle-experienced traveler who's offering other weary travelers hope for the journey ahead. I'll bet money you'll discover joy again.
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Reviewed in the United States on January 18, 2019