SKU: 92375315859
victorian dress patterns

victorian dress patterns TSB-131 Ball Gown Bertha Sewing Pattern, 19th Century, DIGITAL – Timeless Stitches

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victorian dress patterns TSB-131 Ball Gown Bertha Sewing Pattern, 19th Century, DIGITAL – Timeless StitchesTSB 131 Ball Gown Bertha pattern is for two styles of Berthas, which are meant to be worn over the lower necklines of the Ball Gown Bodices. Either of these Berthas can be as simple or as fancy as desired. The look is up to your choice of ribbons, fabrics, laces and trims. The Lace Fabric Bertha uses a band of fabric to which rows of ruffles and lace are sewn. This bertha drapes well over the shoulders. It is easy to construct and fit. The Square

 TSB-131 Ball Gown Bertha pattern is for two styles of Berthas, which are meant to be worn over the lower necklines of the Ball Gown Bodices. Either of these Bertha’s can be as simple or as fancy as desired. The look is up to your choice of ribbons, fabrics, laces and trims.

· The Lace/ Fabric Bertha uses a band of fabric to which rows of ruffles and lace are sewn. This bertha drapes well over the shoulders. It is easy to construct and fit.
· The Square Bertha is made on a patterned foundation and requires a little more construction. It is a wonderful Bertha to use if you want to give the illusion of a square neckline. This is a great project to show off your needlework and crafting skills.

Berthas were a very popular accessory during the Civil War Era. There is not another garment that could change the look of an outfit as easily as the Bertha. This gave women the chance to appear “new” and “fresh” at different occasions, without the expense of a completely new outfit. Godey’s Magazine routinely showed new ideas for Bertha’s, often calling them berthe. Mary Lincoln spent $500 on a Lace Bertha she is pictured wearing on several occasions.

  This pattern was designed as part of the “Ball Gown Series”. (See information in the picture section) The aim of this series is to offer good basic patterns and lots of options and ideas to change and update your garments without having to make new dresses for each season. As discussed in the Basis Ball Gown Bodice, if you make your ball gown in a basic color and style you can utilize patterns like this to change the look of your outfit. The pattern fits particularly well with TSB-130 Basic Ball Gown Bodice and TSD-302 Girls/ Teen Party Dress
 
Sizing:
The pattern includes instructions for all sizes, from small to x-large.
 
Pattern Requirements:
The amounts and choice of fabrics and trims will depend on your desired Bertha

This listing is for a digital download and not a finished garment. A hard copy pattern is available.

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SKU: 92375315859

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G. Fisher
West Palm Beach, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
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Reviewed in the United States on November 11, 2025
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Artie Anzaldua
Grantham, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
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Reviewed in the United States on March 19, 2026
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Here
Grantham, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
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Joel K. Williams
West Palm Beach, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010
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An American
West Palm Beach, US
★★★★★ 5
Good Guide to Writing in General
Format: Paperback
What Gardener says about fiction can equally apply to writing any good prose. He was a master teacher and this book definitely shows his skills in conveying the underlying knowledge to others.
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Reviewed in the United States on December 30, 2024

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