SKU: 49488531733
1920s slip dress

1920s slip dress Rare & Beautiful 1920s E. L. Mayer Pale Gold Silk Flapper Dress w Lame – Shrimpton Couture

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Description

1920s slip dress Rare & Beautiful 1920s E. L. Mayer Pale Gold Silk Flapper Dress w Lame – Shrimpton CoutureIt is rare to find labeled dresses from this time period and this one is especially beautiful. The label is from E. L. Mayer and that stood for Edward L. Mayer who had a high end shop in New York around the turn of the century. Main Bocher, who of course later had his own Mainbocher label, actually did some of the design sketches for Mayer before launching his own label in 1929. Designer Clare Potter, who is credited with helping to invent women's

It is rare to find labeled dresses from this time period and this one is especially beautiful. The label is from E. L. Mayer and that stood for Edward L. Mayer who had a high end shop in New York around the turn of the century. Main Bocher, who of course later had his own Mainbocher label, actually did some of the design sketches for Mayer before launching his own label in 1929. Designer Clare Potter, who is credited with helping to invent women's sportswear, also worked there for a time period. It is fascinating to think that this dress could have the influence of either of them or even be from one of their designs. It is a stunningly beautiful piece and it would perhaps make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event.

The dress is in absolutely remarkable condition given its age. The fabric is a silk that is a pale ivory gold in colour and is quite beautiful. This then has a pattern woven through it of flowers and that fabric is done with a muted metallic lame thread. This gives the dress this fabulous bit of a metallic glint from shoulder to hem. The dress slips over the head and is caught up at one side with a rhinestone encrusted clasp. Once closed, this gives it just a suggestion of shape through the body. I think the deeper V plunging side may have originally been intended to be worn at the back but since there is a modesty panel inset at the base of the V the dress can really work worn either way. I photoed it both ways for you to see. On the V side the dress falls from straps made of the same silk as the rest of the dress and the triangles of silk are sent slightly asymmetrically from each other so that one goes over to one side more. A loose belt is attached around the low waist and there is an attached rhinestone clasp. Once this is closed it brings the fabric in a bit on that side. The skirt falls from under there and widens out to the hem. There is an added panel of silk that begins just under that stunning clasp and this is cut so that it falls past the hem for a beautiful trailing effect. If you decide to wear the dress turned the other way around this panel becomes a detail at the back and creates a train like feel on that side. The bodice is more square off on the opposite side and I love the hand applied detailing just of the side of the neckline. More of those hand applied cuts outs sit near the rhinestone at the hip as well. It is truly an exceptional dress from this time period. Excellent condition with a couple of small notes below

The dress has an attached inner silk dress and slips over the head. Part of the upper bodice is lined in a silk. The belt at the Iow waist is attached and closes with a rhinestone clasp buckle. There is perhaps the slightest of darkening to the fabric on the sides. The photos here are darker then how it is in person.  I see one small spot on the more squared off side and there is just the start of shattering to some of the lining of the bodice. I see a water mark on the very end of the side panel. Please see the shots after the label shot. For a dress this age I would say the condition is still exceptional and it is highly wearable and strong. The dress is cut on the bias so is meant to drape in place. On a smaller frame it will just drape more. These are meant to skim over the body

Bust: 18-21" flat across from side seam to side seam
Waist: 14-18" flat across from side seam to side seam
Hips: 20-22" flat across from side seam to side seam
Length: 56" from top of shoulders to hem and the panel extends past the hem to 63"

Modern Sizing Equivalent: XS-MED

Item# DD4289

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

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SKU: 49488531733

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Verified Purchase
John Keller
New York, US
★★★★★ 5
Don’t be intimidated...it's detailed, but systematic and rational
Format: Paperback
Don’t be intimidated by this 700-page tome. Once you factor in the bibliography, index and footnotes, the body of the work is only about 400 pages. Licona includes an all-important, detailed outline for quick reference back to key topics, and it’s valuable because of the variety of issues he tackles. I’d say, he does a wonderful job of giving us an objective, systematic approach to addressing the historicity of the events following Jesus’ crucifixion. Licona lays the groundwork for his examination of the issue by considering the philosophy of history and tackling things like what is truth, what makes something a historical fact, who has the burden of proof, and is history a science? As a needed addition to this philosophical introduction, he spends time outlining the methods he will use to approaching relevant texts, claims of miracles, and consensus facts. Most important, I think, to his methods was his self-examination of potential bias due to personal belief and worldview. He addresses what he calls a personal “horizon” that historians must be set aside in order to be objective and get at the truth. He certainly points it out in others along the way and makes it clear throughout the book that he is trying to identify and eliminate any potential bias he may bring to the process. In his investigation, he addresses the most important sources related to Jesus’ life, crucifixion and claims of the resurrection. He deals with both Christian and non-Christian sources that were written immediately following the events as well as within the following 200 years. Licona makes the case for authenticity and credibility of the most important sources, and where there have been challenges to these sources over the centuries, he addresses those challenges head on. Ultimately, he boils the events, claims, facts and sources down to what he calls the “bedrock” pertaining to the fate of Jesus. This bedrock consists of three facts that are well supported by authentic, textual evidence which enjoy nearly consensus support by all historians (both Christian and non-Christian). For Licona, the bedrock which need be answered are (1) Jesus’ death by crucifixion, (2) the claims Jesus appeared to individuals and groups following his burial, and (3) the conversion of the Church persecutor, Paul. Ultimately, Licona breaks down six different hypotheses which claim to explain the bedrock and he uses systematic criteria for weighing those hypotheses. He concludes that a resurrection is the best explanation but admits that it’s only by setting aside a naturalistic worldview that one can embrace the conclusion. I like Licona’s methodical approach but would offer two critiques. Do we really need all the Greek citations written out? I understand that there is nuance and variations in meaning for words that are used in the original sources, but to give us all the text and the translation seemed superfluous. Second, I think it was a cop-out to skim the importance of the empty tomb. Other historians put the fact of the empty tomb as one of their top facts to be explained, but Licona punted on it because he didn’t feel it received universal consensus. Consensus aside, the fact of the empty tomb does receive support by a strong majority of scholars, even ones that do not support the resurrection. This cross-section of scholarly support, along with the volume and type of textural evidence, namely the confirmation by Christian enemies, should have elevated the fact of the empty tomb to the “bedrock” which require explanation.
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Reviewed in the United States on April 12, 2021
E
Verified Purchase
Elly
Alexandria, US
★★★★★ 5
so helpful
Format: Paperback
got for school and used it a lot its been so helpful
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Reviewed in the United States on February 3, 2026
E
Verified Purchase
E
Grantham, US
★★★★★ 5
Great price...
Format: Paperback
Needed this for my EKG course. Price was right.
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Reviewed in the United States on February 1, 2026
L
Verified Purchase
LUCIOUS
Houston, US
★★★★★ 5
Satisfied
Format: Paperback, Format: Paperback
Brand new got here on time, haven’t got to indulge in the content yet but definitely exactly what I ordered.
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Reviewed in the United States on May 10, 2025
B
Verified Purchase
Breanna Geyer
Lake Worth, US
★★★★★ 5
EKGs are difficult and I still don’t understand
Format: Paperback
Hey I’m in nursing school and I bought this… it’s not the pocket size, it’s actually a full size book. It brought tears to my eyes many times. I have no idea what a 3rd degree block is. Hopefully you can learn and be a good nurse! EKGs are for the doctors to read. So don’t be too hard on yourself. But you should probably know what normal sinus rhythm looks like… 👍🏼
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Reviewed in the United States on January 22, 2024

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