SKU: 85952444917
vw bus markise

vw bus markise Camping Markise

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Description

vw bus markise Camping MarkiseDie Camper & Go Markise jetzt auch fr Camper mit Aufstelldach und alle, keinen Platz haben, oder im Stealth Modus unterwegs sind. Diese einzigartige, sttzenlose Markise spart dir Zeit und Stress. Ankommen, parken, und keine zwei Minuten spter im Schatten chillen! Du kennst die Camper & Go Markise noch nicht? Hier gibt es alle Infos! Produktbeschreibung Was macht die Camper & Go Markise Flex Line so einzigartig? Funktioniert ohne Sttzen, ohne Schnre,

Die Camper & Go Markise jetzt auch für Camper mit Aufstelldach und alle, keinen Platz haben, oder im Stealth-Modus unterwegs sind.

Diese einzigartige, stützenlose Markise spart dir Zeit und Stress. Ankommen, parken, und keine zwei Minuten später im Schatten chillen!

Du kennst die Camper & Go Markise noch nicht? Hier gibt es alle Infos!

Produktbeschreibung

Was macht die Camper & Go Markise - Flex Line so einzigartig?

  • Funktioniert ohne Stützen, ohne Schnüre, ohne Stress. Nie wieder über die eigenen Heringe stolpern!
  • Sie ist mit 1,5-2,7kg super leicht und nimmt wenig Platz im Camper weg!
  • Abgebaut quasi unsichtbar. Du hast keinen hässlichen, schweren Kasten am Fahrzeug!
  • Keine extra Aufbauhöhe - also weiterhin Parkhaus geeignet!
  • Halterungen mit wenigen Handgriffen zu entfernen - Waschstraße ist damit wieder möglich!
  • Sie ist aufgebaut in 90 Sekunden - Abbauen geht noch schneller!
  • 100% Schatten - klingt selbstverständlich? Hier ist es wirklich so!
  • Wasserdicht - logisch!
  • Wasser läuft einfach ab und bildet keinen schweren "Wassersack"!
  • Bei Wind und Regen kannst du ganz entspannt bleiben. Die Markise hält! Zugelassen bis max. 25km/h.
    Warum diese Version der Markise?

    Die Camper&Go Markise - FLEX Line wurde für Fahrzeuge entwickelt, wo der Platz für die Installation sehr begrenzt ist - z.B. für Camper mit Aufstelldach.
    Sie ist aber genauso gut geeignet für Fahrzeuge mit und ohne Dachträger.

    Vorteile Camper&Go Markise - FLEX Line:

    • nahezu keine Aufbauhöhe
    • geringers Gewicht als TUBE Line 
    • Stealth Modus - fast unsichtbar
    • kein Dachträger erforderlich

    Vorteile Camper&Go Markise - TUBE Line:

    • etwas leichterer und schnellerer Aufbau als FLEX Line 
    • Grundsetup ist leichter zu installieren
    • perfekte Integration in Camper&Go Dachträgersystem
    • auch für höhere Fahrzeuge geeignet
    Wie wird die Markise aufgebaut?

    Wenn die einmalige Grundinstallation abgeschlossen ist, wird der Aufbau zum Kinderspiel.

    Hänge jeweils das Ende der Carbonstange mit dem Federblech im Puckmount ein und fixiere die Stange mit dem Sir Klemm-a-Lot. Danach nur die teleskopierbaren Stangen auseinanderziehen und den Stoff dazwischen spannen. Fertig!

    Achtung: bei Fahrzeugen mit Aufstelldach wird die Markise innerhalb der Dachschale verbaut. Das Bedeutet nur bei aufgestelltem Dach kann diese benutzt werden.

    Wie installiere ich das?

    Vorweg: Egal wie du das System installierst - die angegebene Breite der Markise definiert den Abstand von Carbonstange zu Carbonstange (Mitte-Mitte) und muss exakt eingehalten werden...

    Installation am Aufstelldach:
    Für diese Installation benötigst du in der Regel eine Rail (Multirail Brandrup, Reimo,...) am Fahrzeug. Daran wird mittels speziellem Adapter der Sir Klemm-a-Lot befestigt - eine flexible Befestigungslasche aus Gummi. Auf die Aufstelldach-Schale wird ein passender Puckmount installiert - geschraubt und geklebt. 
    Beachte: Diese Installation erfordert geeignetes Werkzeug, speziellen Kleber und ausreichend Erfahrung. Solltest du dir das nicht zutrauen, nutze unbedingt den Aufbauservice durch meine professionellen Partner. Natürlich muss dein Aufstelldach dafür geeignet sein. Falls es Zweifel gibt, frage beim Hersteller nach.

    Installation an Flächen, Dächern und Dachträgern:
    Für die Installation benötigst du je Stange einen Sir Klemm-a-Lot (flexible Befestigungslasche) mit, oder ohne Adapter und einen passenden Puckmount. Diese beiden Befestigungspunkte werden jeweils geschraubt und/oder geklebt. 
    Ob und welche Adapter du benötigst hängt davon ab, wo du es installierst und ob es stehen, oder hängend Installiert wird. 
    Wichtig ist aber in jedem Fall: Prüfe, ob dein Untergrund stark genug ist die hohen auftreffenden Windkräfte aufzunehmen. 
    Beachte: Diese Installation erfordert geeignetes Werkzeug, speziellen Kleber und ausreichend Erfahrung. Solltest du dir das nicht zutrauen, nutze unbedingt den Aufbauservice durch meine professionellen Partner.

    Für welche Aufstelldächer funktioniert das?

    Dieses Produkt ist neu und es wird hier nach und nach mehr Sets für Aufstelldächer geben. Solltes du Interesse haben, melde dich bei mir. Wir finden sicherlich eine Lösung, wenn dein Setup nicht aufgeführt ist.

    Fertige Sets gibt es für folgende Aufstelldächer. 

    • SCA 290, 194 - für VW T5 und VV T6 - 260cm Markise
    • SCA 260, 262, 264 für Citroën Spacetourer/ Jumpy, Peugeot Traveller/ Expert, Toyota ProAce/ Verso, Opel Zafira Life/ Vivaro C - 260cm Markise
    • SCA 324 - Ford Transit 2024 und VW T7 - in Planung!

    Beachte: für die Installation an Aufstelldächern benötigst du in der Regel eine Rail aussen am Fahrzeug.

    Was ist bei Wind und Regen?

    Regen ist überhaupt kein Problem! Das Wasser sammelt sich in der Markise. Wenn es dann schwerer wird, sinkt die Markise einfach leicht ab und das Wasser kann abfließen.

    Die Markise hält so einiges an Wind aus, aber sie ist nicht unzerstörbar.

    Sie ist bis 25 km/h Windgeschwindigkeit zugelassen. Darüber ist die Markise abzubauen. Informiere dich über das Wetter vor Ort. Besonders an der See können spontan heftige Böen auftreten.
     
    Die Markise darf nur unter Aufsicht betrieben werden. Beim Verlassen des Zugriffsbereiches ist die Markise abzubauen.

    Schau dir mal dieses Video an!

    Lieferumfang

     

    Technische Daten & Pflege

    Puckmound, Aufnahmen, Anbauteile
    Material: Edelstahl

    Stangen
    Material: CFK

    Markisenstoff | Befestigung
    Material Markise: Nylon/Polyester
    Wassersäule 5000mm

    Gesamtgewicht
    1,5 - 2,7kg - je nach Ausführung

    Pflegehinweise

    Stoff

    • Bitte stets trocken verstauen. Wenn der Stoff naß verpackt wird kann es zu Stockflecken kommen und die Beschichtung kann Schaden nehmen. Das führt zu einer Wasserdurchlässigkeit. Also: Wenn's mal regnet und man schnell alles zusammenpackt: den Stoff einfach bei der nächst möglichen Gelegenheit nochmal auspacken und ordentlich trocknen lassen.

    Stangen

    • Die Stangen sollten stets sauber gehalten werden. Wenn die Stangen mit Staub und Dreck bedeckt sind, können diese durch Kratzer verschleißen. Die Klemmung der Teleskopauszüge kann leiden und die Stabilität kann abnehmen. Hier empfehle ich einen besonders sorgsamen Umgang und eine Reinigung mit einem sauberen Tuch nach jedem Gebrauch, um Staub und Dreck zu entfernen. Also mit einem sauberen Tuch abreiben und sie erst dann zusammenschieben.

    Allgemein

    • Reinigung mit Wasser und sauberem Tuch. Keine scharfen Reiniger, Alkohol oder Bremsenreiniger verwenden. Stoff nicht in der Waschmaschine waschen.
    Gewährleistung & Rücknahme & Herstellerangaben

    Jegliche Rücknahme und Haftung ist bei diesem Produkt ausgeschlossen, sobald du irgendetwas an den gelieferten Teilen bearbeitet hast.

    Die Stangen sind vom Umtausch ausgeschlossen, sobald sie einmal in Gebrauch waren, da eine unsachgemäße Bedienung nicht ausgeschlossen werden kann.

    Hier findest du die Bedienungsanleitung: Klick!

    Hersteller nach GPSR
    Camper&Go - Mirko Frank
    Dammstr. 30
    75382 Althengstett
    www.camper-and-go.com

     

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
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    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
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    SKU: 85952444917

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    4.2 ★★★★★
    Based on 9 reviews
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    Product Reviews
    J
    Verified Purchase
    Jessica Martin
    San Leandro, US
    ★★★★★ 5
    super hydrating
    Color: Caviar PDRN
    I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 4, 2026
    Z
    Verified Purchase
    Zachary Bednar
    Boise, US
    ★★★★★ 5
    The Perpetual Joke
    One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 17, 2014
    T
    Verified Purchase
    Terry Seale
    Louisville, US
    ★★★★★ 5
    Worth viewing and studying.
    First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 21, 2016
    S
    Verified Purchase
    Smrz
    Grantham, US
    ★★★★★ 5
    Quintessential 50's Kubrick Noir!
    Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 15, 2011
    K
    Verified Purchase
    Krisha
    Louisville, US
    ★★★★★ 4
    Worth Watching Crime Drama
    I almost stopped watching this film early on because I found the behavior of the cashier's wife so annoying and insufferable. I stuck with it though. It is almost as if it is a crime re-enactment show because of the voiceover narration. In one of the close to final scenes, I thought "This is Kubrick, alright." It is interesting that I watched a film yesterday, "Dead End" in which some of the characters believe that the only life worth living is one with material wealth as do some of the characters in this film. How sad. Maybe that belief is what kills what has real worth. Maybe it is that belief that leads one to a dead end.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on October 6, 2025

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