analog stereo delay pedal Source Audio Nemesis ADT Delay Pedal w/Analog Dry Path – Chicago Music Exchange

analog stereo delay pedal Source Audio Nemesis ADT Delay Pedal w/Analog Dry Path – Chicago Music ExchangeThe award winning delay pedal that catapulted Source Audio into the hearts and pedalboards of the guitar effects pedal universe is back and better that ever. The Nemesis ADT has all the tones and features that made the original Nemesis a go to delay of guitarists and keyboard players of all genres, plus some excellent new updates including a 100% unprocessed dry signal path, 100 factory loaded presets, and an updated collection of delay effects easily

The award-winning delay pedal that catapulted Source Audio into the hearts and pedalboards of the guitar effects pedal universe is back and better that ever. The Nemesis ADT has all the tones and features that made the original Nemesis a go-to delay of guitarists and keyboard players of all genres, plus some excellent new updates including a 100% unprocessed dry signal path, 100 factory loaded presets, and an updated collection of delay effects easily accessible on the face of the pedal. Nemesis  ADT is also compatible with over 1,000 Neuro user presets created for the original Nemesis Delay.

• Slapback — Synonymous with rockabilly guitar effects, Slapback delivers a short single-repeat echo based on early tape delay machines.
• Digital — A classic clear digital delay with optional delay time modulation. The intensity knob controls filtering allowing for high pass filters (creating a thinner delay sound) or low pass filters (creating a warmer delay sound). 12 o’clock on the Intensity knob offers a 100% pure, unfiltered delay. The Nemesis features a 56-bit signal path with a 24-bit delay line for immaculately clean repeats.
• Diffuse — A delay line with a diffusion effect that smears the attack of the repeated signal, softening it and allowing it to blend in more easily with the unprocessed dry signal. This creates an ethereal sound reminiscent of classic “oil can” delay systems.
• Analog — The sound of classic bucket brigade analog delays. Successive delays are warm, resonant and increasingly lo-fi.
• Tape — A detailed re-creation of classic moving-head tape delays. Tape captures all the characteristic flutter, warmth, and color that give vintage tape delay machines like the Echoplex and Space Echo their classic charm.
• Noise Tape — A detailed re-creation of classic fixed-head tape delays. Noise Tape is grittier and darker than the Tape engine, capturing the sound of old or damaged tape.
• Resonant — A Carbon Copy inspired delay effect, based on a particularly dramatic analog bucket brigade delay, characterized by its quickly degenerating echo that shaves off more and more high and low frequencies with each subsequent repeat.
• Shifter — A delay with polyphonic pitch-shifting on the delayed signal. Choose from octave (either up or down), minor or major 3rds, 4ths, and 5ths.
• Helix — This angelic delay effect combines reverse delay with an octaver to create a strange, shimmering delay that disappears into the upper frequency range.
• Reverse — The classic reverse tape sound made popular made popular by a number of iconic psychedelic ere guitar players who shall remain nameless. The Nemesis creates several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect.
• Oil Can — Captures the sound of a 1950’s Tel-Ray Electronics Sound Chamber, an oil can delay famous for its rotating oil filled canister that created haunting and reverberant echoes with a mild chorusing effect
• Drum Echo — Seizes the magic of a Binson Echorec rotating drum delay unit, famously used on several Pink Floyd tracks. The Echorec is known for its multiple playback heads and rhythmic delay patterns.